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An Interview with Rebecca Phillips

Hey y’all! Welcome back to your regularly programmed content on Willa’s Ramblings. Today, I have a super exciting interview with the phenomenal Rebecca Phillips, author of THESE THINGS I’VE DONE!

And even more exciting: I’m blessed with the tour date that falls on the publication date!!!!!!!

excited gif

(aka go buy it now and put rebecca at the top of the NYTimes list pls and thx)

I read THESE THINGS I’VE DONE a couple weeks ago and fell absolutely in love. Rebecca is a stunning writer, and the story just comes alive on the page. I’m so excited for you all to read it and love it just as much as I do.

A contemporary YA perfect for fans of Courtney Summers and Jessi Kirby, THESE THINGS I’VE DONE is the story of a seventeen-year-old girl who accidentally caused her best friend’s death and, a year later, is still grappling with the consequences.

Before:
Dara and Aubrey have been inseparable since they became best friends in sixth grade. However, as they begin their sophomore year of high school, cracks in their friendship begin to form, testing the bond they always thought was unbreakable.

After:
It’s been fifteen months since the accident that killed Aubrey, and not a day goes by that Dara isn’t racked with guilt over her role in her best friend’s death. Dara thought nothing could be worse than confronting the memories of Aubrey that relentlessly haunt her, but she soon realizes it isn’t half as difficult as seeing Ethan, Aubrey’s brother, every day. Not just because he’s a walking reminder of what she did, but because the more her feelings for him change, the more she knows she’s betraying her best friend one final time.

And now, without further adieu, the interview! (I’m in the bold)

What was the inspiration for THESE THINGS I’VE DONE?

The inspiration for the main plot actually didn’t come from me. My friend Cara gave me the idea and I sort of ran with it. Aubrey was very loosely based on one of my daughter’s friends, and Ethan’s band was sort of modeled after a band my husband was in during high school. Dara’s dad was actually a tiny bit inspired by Coach Taylor from Friday Night Lights (!!!! Friday Night Lights!), which I was binge-watching as I wrote the first draft.

Friendship is a big theme in your novel. What inspired you to tackle this theme specifically?

I love YA books that have a heavy friendship theme. Relationships can be such a minefield in high school. Aubrey and Dara’s friendship started showing cracks when Aubrey fell in love with the boy Dara liked. It was interesting to explore this dynamic. I also loved showing the friendship between Dara and Ethan in the “past” chapters, and how all that history carried over into their present situation.

What are some friendship dynamics you think need to be discussed more?

Jealousy and insecurity are always interesting to get into while writing friendships. I also love to see friends who really have each other’s backs, through everything. The little routines and inside jokes between friends are fun to see too.

If you could go back to your childhood and change one thing, would you? What would you change?

That’s a tough question. There are a lot of things I wish had been different, or better, but I don’t think I’d go back and change anything. My childhood and all its joys and challenges brought me to the life I have now, which I wouldn’t change for the world.

If you could spend a day with Dara and Aubrey, what would you all go and what would you do?

We’d totally go to a Taylor Swift concert. Or we’d bake cookies in Dara’s kitchen.

This book is an emotional rollercoaster- what was the experience of writing it? How did you approach the emotionality of it?

Writing it was an emotional rollercoaster too. The subject matter was so disturbing for me that sometimes my first instinct was to keep the heavy emotions at arm’s length. But I knew I had to delve into them, so I did. Living in Dara’s head and putting myself in her place was difficult. She broke my heart often. Tapping into her guilt and grief was cathartic, in a way, but also really exhausting at times.

What has been something about the process of publishing your book that surprised you?

I was surprised at how little time I spent on submission. Two months! That’s short. (I hear my writer friends booing me as I type). Also, I’ve been traditionally published and gone through edits before, but the revisions for These Things I’ve Done were more intense than I was used to. In the end I was glad about that, because I think the book is so much better now.


Now that you all have fallen in love with Rebecca and THESE THINGS I’VE DONE go buy it and read it and fall in love!

(remember is came out today! go congratulate Rebecca over on Twitter!)

BEA 2017 Wrap Up

I’ve been waiting desperately to return to BEA since I went years ago (2012 I think?) and this year IT FINALLY HAPPENED. I took the plunge and bought tickets, not knowing if anyone I knew was going, and just told myself it would work out.

And it did.

It was amazing.
Emily, aka someone who came into my life from blogging and mutual friends and has been there to sign on to all of my crazy escapades and read my manuscripts at midnight, ended up COMING TO BEA!!! She flew in and stayed with me and we got to see each other for the first time in four! years!

Emily and I spent much of BEA hanging out with this AMAZING GIRL IN THE MIDDLE OF THIS GIF AKA MARY. Mary joined Lit Up Review and Emily and I low-key are now in love with her. Talk about positivity and happiness literally radiating from someone–that’s Mary.

Mary helped Emily and I get up to date on all things bookish because Emily and I quickly realized we were not prepared for BEA at all. We even thought the show floor was open on Wednesday. (Oops.) We were so out of the loop on books that Mary would be like, “Oh, I really want this one!” And we’re like, “What is that?” This happened repeatedly over the weekend but Mary stuck with us and it was so hard saying goodbye.

And this brings me to exciting part of BEA part two: THE BOOKS!!!!!!! ! !! ! ! ! ! !

I got so many amazing books at BEA. Books I had no idea existed but decided I had to have in my life or I may not make it another day. Here are my hauls from Day One (on the left) and Day Two (on the right):
I went ahead and compiled a list of all the books on a Goodreads shelf for convenience. You can check it out here: https://www.goodreads.com/review/list/1293180-willa?shelf=bea2017&utf8=%E2%9C%93

I’ve already read GIRLS MADE OF SNOW AND GLASS and it was incredible so I have high hopes for this year. I’m working my way through DAUGHTER OF THE BURNING CITY and also enjoying it!

And then there’s the authors and industry peeps.

These are the people that just MAKE book festivals for me. Authors and the people who work in the industry make book events even better for me, and they remind me why I want to go into publishing and why I love to write. They inspire me, they set a fire in me, and I love them to bits.

At BEA this year, I saw a bunch of old friends, and also met a couple new people!

Old friends include: Leigh Bardugo, Jason Reynolds (who I’m SO FREAKING PROUD OF THIS GUY IS KILLING IT), Adam Silvera, Eric Smith (literary agent), Jenny Bent (literary agent), Lyndsey Sands, Tamara Ireland Stone, and Molly Ellis (publicist @ Macmillan).

New friends include: Lynn Weingarten (we’re hair twins!!!), Ryan Graudin, Katherine Locke, Sasha Alsberg, and Nic Stone.

To check out more of my escapades (and pictures with authors) from BEA check out my Twitter, which was revitalized for the occasion. It also includes my live tweets from the Hillary Clinton event where I absolutely lost my cool in the crowd and almost cried four times.

I think that’s pretty much it.

I just want it to keep going.

I miss all my friends.

I miss the Javits (a sentence I never thought I’d say).

BEA 2018 COME FASTER PLEASE!

Thoughts on GIRL IN PIECES by Kathleen Glasgow

girl in pieces
I read a lot. (That’s a fairly well-known fact, especially if you check my Goodreads profile and see how many books I read in a year.) I read many different genres–fantasy, contemporary, dystopian, science fiction, literary, even some memoirs and non-fiction. I read pretty much everything.

But there’s this certain kind of book that I’ve always gravitated towards.

The “sad” books. The “hard” books. The books that push us to read about pain and grief and suffering and healing–the kind of books that make us sit in un-comfortability and force us to feel. The books about addiction, about screwing up, about depression, about self-harm, about abuse.

The thing about books like these is that they aren’t fantasy. They aren’t made up. Sure, the characters may be, but that plot? That idea? That topic? That’s not made up. That’s real. That pain? Real.

Growing up, I’ve been blessed to not live through that kind of pain, but I’ve always read books about it. These books made me realize that everyone has their own kind of pain, their own demons, their own daily struggle. Whether it be a parent’s divorce, a guilt that you can’t shake, a friend who you’ve been trying to let go of for years and just can’t. These books made me realize that all of our pain is valid and real and that we’re not alone.

Girl in Pieces reminded me of all of this. It reminded me of why I fell in love with Jellicoe Road six years ago, why Wild Awake still gets me thinking, why What We Saw made me understand in a different way. It reminded me why we all read–we read to understand. We read to understand people’s lives, to understand our own, to get a telescope into a new dimension we ourselves don’t experience. We read to feel. To feel deeply and fully and without questions.

And these books? These “hard” books, the books that break us apart and leave us in a puddle of tears, begging the characters to heal, and aching to know what their lives become? These books are vital. These books change people’s lives. These are the kinds of books we have to read. These are the books we should give every teenager to remind them that they aren’t alone, that there are hundreds of people out there just like them. That they can heal.

Charlotte Davis is a girl with a past. A past filled with a father in a river, a mother with a palm on Charlotte’s cheek, a best friend who doesn’t want to feel anymore. A past with a home under an overpass, a past with glass shards and skin, a past with Frank who takes so much and gives nothing in return. Charlotte is, in many ways, broken. She’s what people would call broken, a girl who will never heal. Except Charlotte wants to heal. She wants to get better.

And Girl in Pieces is her story. Her story of pain and relapses and trying to get better and having all the wrong people in her life, but maybe a few good ones. Her story of drawing and washing dishes and getting her first apartment and stumbling through her life, searching for a new story.

Girl in Pieces is a book I don’t think I’ll ever forget, because it made me remember that we’re never alone. Not really. We may feel like we’re the only ones in the darkness, stumbling around for a light, but there’s always someone there, standing next to the switch, just waiting for us to ask them to turn it on. It made me remember that we all have our own Mikey, Blue, Linus, and Tanner. Our own Alice. Our own Casper. Our own Evan, our own Ellis.

Kathleen Glasgow has written a book that feels. It understands what it’s like to be human, to suffer, to want to heal, to struggle to keep it together. It understands what it’s like to start over, to find new friends, to find the good in people. It is real.

Girl in Pieces is a song I never wanted to end.

HOLDING SMOKE and blurred lines

A month or two ago, Elle Cosimano (whose books Nearly Gone and Nearly Found are some of my all-time faves) sent me an advanced copy of her newest book, Holding Smoke. It’s a book about a young man in a juvenile correctional facility who can separate from his body and travel through walls, among other things. Smoke, the main character, has been convicted of two crimes, but is only guilty of one of them – the other, though, he can’t prove his innocence of. The book follows Smoke slowly uncovering the truth about what happened and also understanding the hazy line between good and bad.

First off, the book is fantastic. It’s gritty and well-written and poignant all at the same time. You fall in love with these characters who have done horrible things, and yet, seem so normal. You question if the “good guys” are actually good, and what it means to even be “good.” You see the things young people grow up with, and no matter how different we are, there are always things that make us the same: grief, loss, and love.

This book made me think a lot about good and bad. In Cosimano’s author note at the end of the book, she talks about growing up as a warden’s daughter, and how she learned that the line (between good and bad) is hazy – just like Smoke does in the book. She talks about meeting inmates at the prisons where her father worked and see the good sides of them – the sides that don’t let you believe people can do bad things. She talked about having to learn that good people make bad choices; choices that can define the rest of their lives.

And this all made me think a lot about recent events and about life in general. It made me think about crime and loss and the criminal justice system. Holding Smoke portrays a variety of corrections officers, and the cruelty and kindness that I saw in them seemed like a reflection of the people we meet on a day-to-day basis. It made me think that there is no such thing as a “good” person in many ways. We are all filled with contradiction and bad choices. Choices we have to live with. Choices that can define us.

The recent events of violence and hatred and fear, they are all a reflection of that in many ways. Whenever there is a shooting (it sickens me to write those words because the word “whenever” means they are common) you always hear about the shooter. How the people that knew them never could’ve seen this coming. How they were kind, generous, did good things. Maybe how they were troubled. Struggling with grief. In a low point in their lives. And I think that that juxtaposition is something to remember.

That very juxtaposition is a part of our daily lives. It’s part of the news, part of what we see when we walk down the streets, part of the sirens we hear in the middle of the night, part of the people we meet and the experiences we have. That juxtaposition is part of what makes us human. Part of what makes us so beautifully and terribly human.

Even as a child, you have friends in school who suddenly, out of the blue it seems, says something hurtful. And there’s that part of us that says, that’s not them. But it is, isn’t it? The part of them that is your friend is them, but so is the cruelty they sometimes exude.

And I don’t think this juxtaposition is bad because it’s part of us. But then, events like Orlando happen. Orlando and all of the countless, horrible, heart-breaking, shooting that have happened before, and we can’t but wonder: why? What is it inside us – inside humans – that can make us do such horrible things? Is there an “On” switch that is flipped in us that turns us into killers? And we start pointing fingers in an effort to understand. To understand the complexities of the human nature.

The thing is that many times, I believe, there isn’t someone or something to blame. And that’s the hardest thing to understand. Somewhere, along the way, a good person made a bad choice. And that bad choice led to another bad choice. And that bad choice changed their life.

And as much as I want to desperately, desperately, find an answer, I don’t know if there is one. And that’s what scares me sometimes. That the line between good and bad is too blurred.


Holding Smoke was published on May 3rd from Hyperion Publishers, and can be found in bookstores. Thank you to Elle for sending me a copy of this incredible book, and I encourage you all to read it. Read it and think. 

SUMMER DAYS + SUMMER NIGHTS | Blog Tour

I’m incredibly honored and excited to be on the blog tour for Stephanie Perkin’s new anthology, Summer Days and Summer Nights! It’s perfect for a summer day (as mentioned in the title) and is just what I’ve been needing in these days when the end of school is coming faster than I can think.

Today, I have a Q&A with Stephanie, and I’m super excited for you to read!


Summer Days GIF Novel: Summer Days & Summer Nights: Twelve Love Stories  edited by Stephanie Perkins | Goodreads
Release Date: May 17th, 2016
Publisher: St. Martin’s Griffin

Internationally bestselling author Stephanie Perkins brought together some of her closest friends and fellow bestselling young adult authors for the holiday anthology My True Love Gave to Me that a starred Publisher’s Weekly called “a rare holiday treat” and Romantic Times claimed “this is what all anthologies should aspire to be”. Now, she’s doing it again with SUMMER DAY AND SUMMER NIGHTS: Twelve Love Stories (St. Martin’s Griffin / On Sale: May 17, 2016), another anthology filled with twelve new stories from a superstar lineup of young adult authors. Already receiving rave reviews, this anthology is the perfect beach companion for those long, hazy summer days. Featuring twelve brand new short stories from:

  • Stephanie Perkins (Anna and the French Kiss, My True Love Gave To Me)
  • Leigh Bardugo (Six of Crows, The Grisha Trilogy)
  • Francesca Lia Block (Love in the Time of Global Warming)
  • Veronica Roth (The Divergent Trilogy)
  • Lev Grossman (The Magicians Trilogy)
  • Cassandra Clare (The Mortal Instruments Series)
  • Jennifer E. Smith (The Statistical Probability of Falling in Love, The Geography of You and Me)
  • Libba Bray (A Great and Terrible Beauty)
  • Tim Federle (The Great American Whatever)
  • Nina LaCour (Everything Leads to You, You Know Me Well)
  • Jon Skovron (Misfits, Man Made Boy)
  • Brandy Colbert (Pointe)

SUMMER DAY AND SUMMER NIGHTS, written by twelve bestselling young adult writers and edited by the international bestselling Stephanie Perkins, will have you dreaming of sunset strolls by the lake. So set out your beach chair and grab your sunglasses. You have twelve reasons this summer to soak up the sun and fall in love.

Q&A

  • What was it like working on this project compared to the first one, My True Love Gave To Me? Is it easier to do the editing and collaborations with other authors now that you have experience from the first one?

This one was significantly harder. The first anthology felt like a fluke—something with my friends, just for fun! A lot more planning went into this one. I’d already been a critique partner to several of the authors in the holiday anthology, so they were used to working with me. I’d already earned their trust.

With the summer anthology, I reached out to a lot of authors whose work I admired, but I didn’t personally know them as well. Relationships had to be established. That takes time. But the work was great fun, and I loved getting to know them, and it was a tremendous honor for these incredibly talented authors to have trusted me with their work. I’m so, so grateful.

  • This is the second anthology you’ve edited. What was the inspiration? What did you give your contributing authors in the way of guidance or prompting as they began their stories?

The inspiration for the second anthology was . . . the first anthology. Working with my friends was such a joy, and I relished the opportunity to work with eleven new authors. All of them had so much to teach me both as an author and an editor. I’m always looking for opportunities to become better at my craft. Pulling apart these stories, inspecting their seams, digging in deeper—it’s a brilliant way to learn new tricks. And I’m a good editor, so I think/hope that my work was helpful for them, too.

I gave the authors only three guidelines: Their story had to take place during the summer, romantic love had to be involved, and—no matter how dark the situation got—it had to end on a note of hope.

  • Why did you decide to bring these particular authors together for this anthology?

I reached out to authors who are writing stories that I love. All of them have strong voices and—whether or not they primarily write romance—a kind and romantic heart.

The crazy and fantastic thing is that there are literally dozens of other YA authors who also fit this description. There are so many talented, inspiring writers in this industry! I had to make some tough decisions, and a lot of it just came down to keeping a balance between the genres.

  • Your contribution to this collection is a new story featuring Marigold and North (previously seen in My True Love Gave to Me). What was it like revisiting these characters? Did you always know that there would be more to their story? Will there be more in the future?

I’m not sure if I always knew a continuation of their story was worth telling, but I did know where their future was headed. In the early days, I was working under the assumption that I wouldn’t HAVE another chance write about them, so I was trying not to think about it too much. If that makes sense.

But . . . I have a hard time letting go of characters. I always have. So when the summer anthology came to fruition, I knew immediately that I would continue their story. Now, I’m happy with how I’ve left them. In the first story, North helped to heal Marigold. This time, she helped to heal him. They’re good.

  • How does editing a short story collection compare to writing a full-length novel? Did your process as an author influence your process as an editor?

It’s easier. A lot easier. I only had to come up with original content for 1/12th of the 400 pages! My writing process is slow and generally agonizing, so . . . yeah. It’s just not even close.

But it’s a huge part of the reason why I love to edit. I’m a slow drafter, and I prefer the tinkering, shimmering stages of editing and revising. It’s where a good story becomes great. My nitpicky brain loves working on that level—finding a better word, a tighter theme, a more developed character, a more textured setting. And I absolutely love helping other authors to find their own deeper, truer stories.

I think most authors become a better editor as they become a better writer. I’m the opposite. I started off with stronger editorial skills, and, as they improve, they’re helping me to become a better writer.

But, being an author, I will say that when I’m wearing my editorial hat, I heap a LOT of praise onto the other authors. I leave tons of notes for them in the margins and mark every single passage or phrase that I love. Writing is difficult work, and I always appreciate it when my own editors take the time to mark their favorite bits. Praise also shows me how to revise my work! It teaches me which parts are the good parts! And that’s revising in a nutshell: adding more good parts, removing the bad parts.

  • What are your favorite summer love stories?

Several of the authors in my two anthologies have written swoony summer romances. A few that immediately spring to mind: I’m pretty sure all of Jennifer E. Smith’s books take place over summer (The Geography of You and Me is a favorite), as well as Nina LaCour’s The Disenchantments and Everything Leads to You, and Jenny Han’s Summer series, starting with The Summer I Turned Pretty

  • Do you have any go-to summer books you like to re-read summer after summer?

I’ll recommend one of my mother’s favorite summer reads: Sarah Dessen’s Keeping the Moon. It might be my favorite Dessen novel, too.

  • If you had to pair Summer Days and Summer Nights with a summer-y drink, what would it be?

Watermelon juice. It’s so simple—it’s just watermelon that’s been put into a blender, but it’s heaven.

  • In other interviews you’ve described yourself as an introvert. What does your writing space look like? How do you organize a typical writing day?

Yes. I’m very introverted, and I’m very comfortable being alone. I’d love to be one of those cool, coffee-shop authors, but I need silence to write.

My office is in my house. It has lime green walls and a bold pink desk. (If I remember correctly, the name of the paint was “Sweet Sixteen Pink.”) My desk is covered with trinkets from loved ones, and my shelves overflow with research books and foreign editions of my own novels. There are also a lot of tiny, creepy items—animal skulls and teeth. I have a dark sense of humor.

I wear noise-cancelling headphones, and I start work at ten o’clock in the morning. I work for four hours. Five, if it’s going well. After that I stop, because I’m prone to burnout. Then I’ll eat a late lunch, and then I’ll answer email or pop on social media until my husband comes home.

But if I’m nearing the end of a deadline, all of these rules are thrown out, and I work around the clock until it’s done. And then I crash for about two weeks.

  • What books from your younger years as a reader contribute to your stories now as a writer?

Francesca Lia Block’s Weetzie Bat was hugely influential on Lola and the Boy Next Door, which was the first novel that I worked on. Lola wouldn’t exist without Weetzie. My first published book, Anna and the French Kiss, was largely influenced by the voices of Meg Cabot, John Green, and Maureen Johnson. And everything I write has been influenced by my love of fairy tales and happily-ever-afters.

  • What can we expect to see from you next? Are there any plans of releasing a new full-length novel soon?

My next novel is a teen slasher, which hopefully (if I finish it on time!) will be published next year. I’m having such a blast writing in the horror genre. And it’s honestly not as big of a departure as it seems. There’s still an attractive boy, an intriguing setting, and quippy friends. It just also contains a lot of murder.

  • If readers could take away one thing from having read Summer Days And Summer Nights what would you hope it would be?

It always sounds corny, but . . . hope is the hope. No matter what’s going on in your life right now—and as teenagers, so much of your life is out of your own control—it will get better. You’ll get more control, you’ll get to make more choices. Make good choices. Learn from your mistakes. I promise—with every single fiber of my heart—that life gets better. There is always hope.


I hope you all enjoy Summer Days & Summer Nights as much as I did!